“Success is not final. Failure is not fatal. It is the courage to continue that counts.”

When I first stayed with The Sex Myth founding director Hanne Larsen last May, these were the words that were hung above her desk: “Success is not final. Failure is not fatal. It is the courage to continue that counts.”

The quote — from Winston Churchill, it turns out — resonated with me immediately.

I had told my young cousin, who was working towards a career as an actress, that she should be prepared to face failure after failure on the road to achieving her dreams, but that it was only through persisting through those failures that anyone found success. And I knew from experience that even the things we think will finally make us feel like we’ve “made it” don’t always feel that way when they actually show up in our lives. Neither success nor failure are final; both are just temporary conditions.

The Churchill quote has been on my mind again recently, as I’ve prepared to launch the next iteration of The Sex Myth play and movement into the world.

And here, I take a quick break from our scheduled straight-from-the-heart, uncomfortably honest essay to ask you to join our movement and contribute to our crowdfunding campaign: https://startsomegood.com/the-sex-myth

Over the last couple of weeks, as I’ve reached out to friends and colleagues to ask them to support the play, I’ve received some lovely messages from people in my life, many of them along the lines of, “I’m so happy for you” or “I’m so proud of how much The Sex Myth has grown.”

To which my internal response has been, “But the project is not actually a success yet. I am just throwing myself out on a terrifying precipice trying to make it one.”

Launching a new project is exciting and filled with possibility. But it also means staring the possibility of failure in the face. And in the case of running a crowdfunder, as my friend Erin Bagwell wrote on her blog Feminist Wednesday last week, it means staring the possibility of failure in the face for 30 days.

But to get back to Churchill for a moment, I think it’s this willingness to stare failure in the face that matters most.

Launching a book or a play, running a successful crowdfunding campaign, earning enough money to pay the bills without institutional support or a salaried job — none of these things are easy.

But it’s not the lines on a resume or the achievements you put in your bio that matter.

It’s the courage to continue that really counts: to keep going to auditions, to keep writing and revising even when no one is reading what you’ve created, to keep talking about whatever social issue you care about until you convince other people to care too.

And that’s the true measure of success, I would argue… even if a lot of the time it feels like the opposite.

Besides, as the huscat pointed out to me last night when I talked to him about this, a lot of this project already has come to fruition — even if, to me at least, it feels like everything hangs in the balance right now.

The playbook exists, ready to help people around the world put on their own productions, and we already have people in six communities and four countries talking to us about putting on the show. We have dates and an awesome venue for our New York show in August. We’ve spent the last six months creating a fantastic suite of products to help people get involved in the movement. And in less than 18 hours since we went live, we’ve raised more than $3000 from 40+ contributors.

You can learn more about The Sex Myth play, what we’re doing with it, and why it matters at https://startsomegood.com/the-sex-myth

And please, if the project resonates with you, help us get it off the ground by contributing and joining our movement.

PS If you’re in NYC, join us for our launch party in downtown Manhattan tomorrow night. More info and RSVP link here.